In this in-depth, 86 step tutorial, you will learn how to create a stylish liquid looking logo using Next Limit’s Realflow. Using Cinema 4D as the main 3D package, you will learn how to integrate Illustrator and After Effects to efficiently design, simulate, export, and render your final animation.
Create a Stylish Liquid Type Logo using Cinema 4D, RealFlow, and After Effects
Nov 17th in 3D Art, Adobe After Effects, Fluids, Maxon Cinema 4D, Particles, RealFlow by William Salas
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Match Your 3d Animation to Live Action Footage using Syntheyes, Cinema 4D, Realflow, and After Effects
Nov 12th in 3D Art, Adobe After Effects, Animation, Maxon Cinema 4D, Particles, RealFlow by Chris Martin3d camera matching is simultaneously one of the most widely used and most elusive to learn CG techniques in both the film and advertising industries today. In this video tutorial, we will discuss a comprehensive method for tracking video footage, and eventually exporting it for use in your 3d package of choice.
Create an Amazing Liquid Apple Effect in RealFlow, Cinema 4D, and After Effects – Day 3
Oct 9th in 3D Art, Adobe After Effects, Animation, Fluids, Maxon Cinema 4D, Particles, RealFlow, Shaders by Chris MartinIn this tutorial, you will learn how to create a bullet shooting through a liquid apple using Realflow, Cinema 4D, and After Effects . On the first day, you will learn scene setup in Realflow and proxy objects, Day 2 will cover importing Realflow data back into Cinema 4D and setting up for multipass rendering, and on the third and final Day, we will focus on importing .aec data from Cinema 4D into After Effects and isolating individual elements, as well as post effects.
Create an Amazing Liquid Apple Effect in RealFlow, Cinema 4D, and After Effects – Day 1
Oct 7th in 3D Art, Adobe After Effects, Animation, Fluids, Maxon Cinema 4D, Particles, RealFlow, Rendering, Shaders by Chris MartinIn this tutorial, you will learn how to create a bullet shooting through a liquid apple using Realflow, Cinema 4D, and After Effects . On the first day, you will learn scene setup in Realflow and proxy objects, Day 2 will cover importing Realflow data back into Cinema 4D and setting up for multipass rendering, and on the third and final Day, we will focus on importing .aec data from Cinema 4D into After Effects and isolating individual elements, as well as post effects.
Create a Cool Looking Molecule Effect in Maya and After Effects
Sep 26th in 3D Art, Adobe After Effects, Autodesk Maya, Shaders by Amilcar De CarvalhoThis tutorial will focus on creating a cool molecule type object with Maya and finish the project off in After Effects. We will begin by modeling the molecule in maya, then create a shader via the hypershade panel and assign it to the object, and render out a still image. Lastly we will take it into After Effects, and create a camera that drifts and zooms towards the molecule. We will also add a few particles to the scene and comp it all together.
How to Export 3d Camera Data from Cinema 4D into After Effects – Day 2
Sep 4th in 3D Art, Adobe After Effects, Animation, Maxon Cinema 4D by Harrison AmbsThe key to good project management is workflow, and also to ensure that all your pieces and parts will all come together in the final assembly. Design is no different.
This tutorial deals with some more advanced compositing techniques, and hopefully after watching the first tutorial, you’ll have a good grasp of the basics and be ready to dive into this 3 video tutorial featuring advanced compositing using tags, multi-pass renders, and expressions in After Effects.
